
The 2011 Pulitzer Prize winner for Feature Writing went to Amy Ellis Nutt of the star-Ledger, Newark N.J., for “her deeply probing story of the mysterious sinking of a commercial fishing boat in the Atlantic Ocean that drowned six men.”
Her five-chapter series, titled “The Wreck of the Lady Mary” went above and beyond a normal level of reporting and writing. There is a level of detail that is not normally found in a news story, with active descriptions that make it seem like the reporter was actually there. Even though five out of the six fishermen died, Nutt managed to find sources in their wives, men on nearby ships, mothers, fathers, girlfriends, and other people that managed to paint the picture of what these men’s lives were like and how the event transpired.
I think this project was worth spending so much time, money, and care on because this tragedy must have fascinated many people, and my guess is that the tragedy was surrounded by many rumors as to why and how this happened, and by having an extensive story like this, it must have clear breakdown of how this happened. I think that this project goes beyond a typical news story and brings its readers into the moments that are not typically reported on. It goes beyond a news story describing the who, what, when, where, and why of a story. It takes each of these aspects and expands in every way possible, drawing its readers in completely and giving them the whole story. This article goes beyond what is expected with reporting and benefits its readers by giving them insight into this tragedy, and allowing them to understand everything.
I think this series of paragraphs captures the cosmic moment in the project because it explains that there is a larger force that is affecting the safety and rights of fishermen that was at the bottom of why this tragedy happened:
“This story is about a tragedy no one lived to tell — except Arias, the only crewman plucked from the ocean alive, but who was asleep below decks when the sea suddenly began to swallow the boat. But from the tormented memories of its sole survivor, hundreds of pages of Coast Guard documents, the analyses of more than a dozen marine experts and the Lady Mary’s own ghostly remains, a picture has slowly emerged.
No single event doomed the six fishermen, rather a cascade of circumstances set in motion years earlier by a slip in penmanship on a vessel safety form, compounded by a clerical error. Darkness, deteriorating weather, a tired crew and an open hatch contributed to the vessel’s vulnerability. Then, a floating behemoth 10 times the size of the little scalloper came plowing through the fishing ground at nearly full throttle.
The men of the Lady Mary were like thousands of others who earn their living from fishing, toiling in a Wild West sort of world, in hazardous, ever-changing conditions with scant safeguards and few legal protections.
On today’s oceans, endangered whales have more protection than fishermen, though scores are killed each year.
And when fishermen die at sea, their deaths often remain unexplained, their bodies never found and their lives soon forgotten by the public.
As one mariner said, "There are no skid marks on the ocean."
I think what sets these stories apart from other ones in terms of success is the level of reporting and the creative way that the reporters display their ideas. The way that the story is reported makes it seem like the reporter was actually there, and the delve into the most personal and intimate of feelings to round out the story. The writing is beautiful, descriptive, and captivating. The story’s opening is an example of this, reading:
“Riotous waves pummel José Arias. In the frantic scramble to abandon ship, he zipped his survival suit only to his throat and now the freezing Atlantic is seeping in, stealing his body’s heat.
The cold hammers him, a fist inside his head.
Seesawing across the ocean, he cannot tell east from west, up from down. At the top of a wave the night sky spins open, then slides away. Buckets of stars spill into the sea.
"Sálvame, por favor. Sálvame."
Save me. Please save me, he prays to Our Lady of Guadalupe.
This kind of writing is beyond the normal lead. It is descriptive, and terrifyingly so; it gives us images that are hard to be imagined. It puts you right in the moment and I think that is the best part about these stories. We get to know the men who died, their stories, their families, and a chilling account of how they died.